Wednesday, January 27, 2010
Monday, January 25, 2010
Apocalyptic Wedding
We had a wedding several years ago that occurred in the early spring. It was set in downtown Seattle at the Chinese Room – on top of the Smith Tower. A lovely venue and it was an absolutely exquisite wedding. Everything was so beautiful, like a fairy tale. The bride wore a rhinestone studded gown that floated around down to the floor, the groom wore his uniform, and there was even a Cinderella shoe on top of the wedding cake. It was so lovely. The bride and groom opted to release butterflies as a symbol of their new life together. However, it was not quite warm enough outside for these 10,000 butterflies to fly, so…they fell. Down on the street below, and in my imagination, to the horror of people walking below.
Monday, January 11, 2010
The Intoxicated Mother of the Groom
Let me set the stage for this story. This was one of my very first weddings. So many many years ago *grin*, white church on a hillside, beautiful setting. Can you imagine this scene. We arrived early to the wedding to get set up to shoot the formals prior to the ceremony and the mother of the groom can hardly stand up. She kept swaying during the shots and I continually had to remind her to look into my lens… "Hello…. Mom? Look over here…. " Finally broke down and used some tried and true methods used on toddlers to get their attention during a shoot. The famous phrase by Sam Puc "Ut – Oh!" Works everytime… even on the tanked ones.
Friday, January 8, 2010
The unplanned nude
I received a call in 2006 for a gentleman to have head shots taken as he wished to become a model for a local University’s art department. We agreed upon a price and a date.
At this time my studio was located in an apartment over the garage on our property and I did most of my shooting during school hours and therefore was alone much of the time. So, in many ways this is a cautionary tale, as this particular situation did not pose a threat but in many ways was a dangerous situation. My client arrived that day as all my other clients do, he was an older man in his fifties and normal looking. I had set up that day for headshots; however, when my client arrived he also indicated he would like some full length shots. My wider lens was over at the house, and he stated that he would change while I went to get it. When I got back to the studio, I had a gentleman without attire waiting patiently for me to return. Nothing….not a stitch.
I (calling on every ounce of professionalism I could muster), kept a straight face and asked him if there was a mistake? Because… he hadn’t mentioned wanting to do a nude session and those are…well (whats 5 times….), yes… more money …. He agreed to pay the difference. I pulled myself together, focused on lights, and posing – keeping to the classical lighting techniques taught by Clay Blackmore, full face, 2/3rd’s, profile, ect. All the time keeping a straight face and doing a good job.
After he left, I slowing sat down on the floor, wiping the tears from my eyes, laughed myself silly. And for years after this I have often been asked how I could ignore the ‘elephant in the room’, I reply…. “it was NO elephant.”
Lesson Learned – We developed a portrait session contract much like our wedding contract to be certain we have covered all bases with our clients as far as the session expectations. This has helped so much!
Life as a Photographer
Thursday, January 7, 2010
Ending Relationship with Graphistudio
Tuesday, January 5, 2010
Letter from a Client
Dear Denise,